AI-assisted film, motion and visual storytelling
Speed where it matters.
Experience where it counts.
Built on years of UI, graphic and motion design across large organisations.
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Float like a butterfly, sting like a bee.
Float like a butterfly, sting like a bee.
Float like a butterfly, sting like a bee.
Muhammad Ali
Muhammad Ali
Featured Projects
WHISPERS IN THE RING
In a quiet Brighton pub, a young barman listens as an elderly stranger recounts a tale of Chanctonbury Ring, where desire is granted and time exacts a cost.
WHISPERS IN THE RING
In a quiet Brighton pub, a young barman listens as an elderly stranger recounts a tale of Chanctonbury Ring, where desire is granted and time exacts a cost.
WHISPERS IN THE RING
In a quiet Brighton pub, a young barman listens as an elderly stranger recounts a tale of Chanctonbury Ring, where desire is granted and time exacts a cost.
WHISPERS IN THE RING
In a quiet Brighton pub, a young barman listens as an elderly stranger recounts a tale of Chanctonbury Ring, where desire is granted and time exacts a cost.
WHISPERS IN THE RING
In a quiet Brighton pub, a young barman listens as an elderly stranger recounts a tale of Chanctonbury Ring, where desire is granted and time exacts a cost.
THE SWAMP
A visual resurrection of a lost Brighton band, using AI to bridge a 40-year gap and bring buried memories back to life through psychological folklore.
THE SWAMP
A visual resurrection of a lost Brighton band, using AI to bridge a 40-year gap and bring buried memories back to life through psychological folklore.
THE SWAMP
A visual resurrection of a lost Brighton band, using AI to bridge a 40-year gap and bring buried memories back to life through psychological folklore.
THE SWAMP
A visual resurrection of a lost Brighton band, using AI to bridge a 40-year gap and bring buried memories back to life through psychological folklore.
THE SWAMP
A visual resurrection of a lost Brighton band, using AI to bridge a 40-year gap and bring buried memories back to life through psychological folklore.
DIAMONDS
A music video in which a lone woman moves through surreal worlds as lost love turns beauty and longing into a mythic journey through memory. Work in progress.
DIAMONDS
A music video in which a lone woman moves through surreal worlds as lost love turns beauty and longing into a mythic journey through memory. Work in progress.
DIAMONDS
A music video in which a lone woman moves through surreal worlds as lost love turns beauty and longing into a mythic journey through memory. Work in progress.
DIAMONDS
A music video in which a lone woman moves through surreal worlds as lost love turns beauty and longing into a mythic journey through memory. Work in progress.
DIAMONDS
A music video in which a lone woman moves through surreal worlds as lost love turns beauty and longing into a mythic journey through memory. Work in progress.
About
I am a senior UI, graphic, and motion designer specialising in film and visual storytelling for commercial use.
My approach centres on AI-led production, used quietly to create work that feels cinematic, grounded, and emotionally real — without the technology distracting from the story.
With years of experience working within large organisations, I understand briefs, brand guidelines, and the realities of deadlines. Projects are structured, controlled, and designed to move through internal review without friction.
I’m careful about how imagery is sourced and used, ensuring work is royalty-free, legally sound, and appropriate for commercial use. Diversity and representation are considered by default, not as an afterthought.
I am a senior UI, graphic, and motion designer specialising in film and visual storytelling for commercial use.
My approach centres on AI-led production, used quietly to create work that feels cinematic, grounded, and emotionally real — without the technology distracting from the story.
With years of experience working within large organisations, I understand briefs, brand guidelines, and the realities of deadlines. Projects are structured, controlled, and designed to move through internal review without friction.
I’m careful about how imagery is sourced and used, ensuring work is royalty-free, legally sound, and appropriate for commercial use. Diversity and representation are considered by default, not as an afterthought.
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